Wing Chun Sticky Hands - Tips to improving your Chi Sao

1) Your hands are only as good as your stance

Let's start of with probably the most important thing before you get into chi sao. If you want to improve your chi sao significantly then make sure you've got a solid YGKYM.  All to often, I see people jumping into chi sao, when they can't even find there own center of balance. Thus, imagine one of those huge red wood trees, in Return of the Jedi, how strong would that tree be, if its roots were decaying? Obviously, it wouldn't take that much force to knock it over. There are several ways to test your YGKYM stance.  The first being just sitting in your stance for about 45 minutes, if you can last an entire 45 minutes without any aches or pains anywhere, then you'll know you've found you center. The 2nd way is have a partner push against your chest slightly and see whether or not you can actually root against the force. If you can't handle a light push, then you aren't going to be able to handle the oncoming force with your stance during chi sao.

2) Recipe for tan, bong, fok?

Tan, bong, fok sau oh my.  These are the main ingredients when doing chi sao, thus its key to know how to do these moves correctly, and to understand how they are put together structurally. Now, I'm not going to dive into detail about each one, coz that would be an entire article on its own.  But keep in mind some simple rules.  Tan sau should be flat, do the test for yourself and see if you can feel the difference between a flat tan and one that isn't. Imagine a tan being a bridge between you and an opponent, can a bridge connect 2 points being up. Of course not! Bong sau, key thing is make sure your elbow is higher than your wrist and make sure that the hands/fingers continue in the direction of your forearm. Finally fok sau, probably the most difficult one of the 3, be aware of the point of contact.
Why is it important for you to know the structure of each of these moves? Imagine them to be your TV antenna, if the antenna is just slightly off, your reception won't be that good. If you tan isn't in the right position, then that will decrease your level of sensitivity.

3) I'm ready to fight?

Ah, jumping ahead of ourselves once again.  Before you get into those prodigal son battles, make sure first and foremost, that your roll is decent. While chi sao may seem like 2 guys facing each other working a steering wheel, it is in fact a constant forward motion, instead of what appears to be a circular movement.  What's the difference? If you have a circular movement and force is pushed slightly against it, if you remove the force, your hand will remain in the same position and continue its circular movement. On the other hand, imagine your hand as a spring, waiting for the pressure to be removed. Once the pressure is no longer there, the hand will automatically move forward. Thus, you won't even have to think when to attack. Key note though, is that the forward pressure doesn't need to be initiated by you, if your structure is correct for tan, bong, and fok, the structure along will maintain that forward pressure.  All to often people, either have no forward motion or over emphasize it too much.

4) Equality for both sides

In the beginning when doing chi sao, picture it as if you were doing push ups against the wall. Notice in order to keep your body square you need to push equally on both sides of your arms. Well, when you start doing chi sao its sorta like the same thing. You want to be able to maintain equal energies on both sides when your rolling. Literally, regardless of what position you are in:
inside gate - bong sau and tan sau
outside gate - double fok sau
chi sao - tan sau and fok sau or bong sau and fok sau - thus being in both inside and outside when rolling
The wrist for the most part are lined up with each other for both arms. The importance of equal energy, well its because of the inequalities of the forward drill when doing chi sao, that your opponent can use that to his advantage.

5) Tension vs. Energy

Mommy, what's the difference between tension and energy? One of the most recurring problems when doing chi sao, is differentiating between tension and energy. When you use tension it involves muscle, which reduces your sensitivity significantly. Thus, have you ever rolled with someone who was really tense, then all of a sudden just pulled your arm away from his. You'll notice when its tension the hand just stays there doing nothing at all. But if it was energy, the hand automatically shoots out towards you. That's the difference between the 2, and how you can tell one from another.

6) Where's my center?

I'm sure everyone has done this before. Have someone do a bong sau and place it perfectly into the correct position, and then press against his bong sau. What you'll notice is how much force that the bong sau can take, with the guy/gal putting very little effort in dealing with the force. Now offset that bong by either moving it slightly left or right, let's just say about 1% of the center line. And see the huge difference. Notice how easily it is to collapse his bong sau with very little pressure at all. Well, in chi sao its key to be aware of the centerline for everything that you do. Thus, if your in inside gate, you need to make sure both your tan and bong are in the proper position, if your just slightly of, just like in the example above, your opponent can take advantage of this.

7) Fok sau woes

Probably the most difficult thing in the beginning to deal with is that of fok sau.  The most difficult thing is maintaining forward pressure upon the roll, and the most common mistake is pressing downward with the fok sau. Notice the Siu Lim Tao is the blue print for the motions of all the moves, and if you do 3 fok sau's in SLT, you'll notice that this is the CORRECT motion that you do when chi saoing as well. The best way to deal with the downward press, is to adjust the elbow. Remember, that elbow leads the motion, thus if the elbow is raised and is almost on equal level of the wrist, the downward pressure will occur, if you sink the elbow, this will fix the problem.

8) Tag your it

Have you ever seen this happen. Your chi saoing with someone and he gets a good hit on you. So your ego's all bruised and your like, "bitch I'm going to force a hit no matter what." Next thing you know you have 2 idiots using muscle, zero structure, and just hitting each other back and forth. What's this called? Its called a waste of time.  In the end what your developing is bad habits. Remember, chi sao helps you to develop so many things, from timing, to energy, understanding the distance, to learning how to stick. If you break the rules of chi sao and fail to learn from it, your wasting time. The reason you got hit, is because your structure sucked, eat the humble pie, and work with your partner to recreate the scenario again, and learn how to deal with the oncoming force.

9) More defense

Any idiot can attack, every art has deadly moves. But the test of your true skill is how good your defense is. Allot of times when I practice, I literally just allow the opponent to attack one after the other. It truly is a test of skill to be able to take whatever he throws at you and redirect it constantly.  Remember, attacking is a simple skill that doesn't take that long to develop, on the other hand defense is something that really can impress others. Spend more time working on your defense when chi saoing.

10) Control

Man, there's nothing like getting a good solid hit on your partner, right? The fact is your partner is your best friend, and without a partner you can never get better in wing Chun. Thus, if you decide your ego needs a boosting by smacking him down, what your displaying is such a low level of wing Chun.  The fact is, every attack you do when chi saoing should be controlled. There's nothing more impressive, than going full speed with an attack and stopping just inches away from your opponent.  That my friend is skill.  Wing chun is all about control, if you can control yourself, then you can control others

Four Rules to Master Wing Chun

By three methods we may learn wisdom: First, by reflection, which is noblest; Second, by imitation, which is easiest; and third by experience, which is the bitterest. 
Confucius

1) Learn One Thing at a Time.

It is better to learn one thing well than to half-learn two things. For teachers, the reverse is, teach one thing at a time. I never do this – sorry students! I'm way too talkative. Pick one problem area or new skill and train it diligently before moving on to the next thing. This is what the pro athletes do. Focus and plan.Pick out one weakness or new skill and work on it. Then pick another one.Repeat.

2) Quantity Before Quality

Everyone is awkward at first. No one does a new skill perfectly right out of the gate. In fact, if you already know how to fight, when you train a new approach, you will start by becoming worse. This is because fighting is all about developing reflexes. If you start putting in new reflex actions, at first, your body will be confused how to react – the old way or the new way. Press on until the new reflex is ingrained.

You'll continue to have revelations about movements and techniques and principles throughout your martial arts career. I've been training Wing Chun since 2000, and I still have new realizations about the system all the time, even about basic concepts like the stance or turning, which you learn the first day.Learning happens not all at once but by a slow process of accumulation and removal, as with sculpture. A little goes on and a little comes off and it slowly looks more and more like the ideal form (but its never completely there).

3) Watch and Visualize

This is an under-rated aspect of learning outside of professional sports. You must watch your teacher closely. Learn by watching. Then imagine yourself moving as your teacher moves. Go through the motion in your mind as you execute the move perfectly. Visualization is the secret Sports Psychology “sauce” that separates the good from the great.

4) Find a Training Partner

This is key in Wing Chun. Its a two person fighting style. No one ever became great just playing the wooden man and the pole. It sucks, if you are not that social, but you will never really advance to the higher levels of skill until you find someone to work with who can sign on to a cooperative, mutually-beneficial relationship of training. You need to help one another. If your partner always catches you with a certain technique, they should be willing to help teach you how to beat that technique. It must be a win-win relationship. If you are really lucky, you are in a school where you have multiple training partners who follow this philosophy.

by Steven Moody.

. Chum Kiu form of Wing Chun

                                                 

Literally, Chum Kiu when translated is the method of how to deal with the opponent’s wrists once in contact. In other words, Chum Kiu is the form applicable to fighting. If the theory of Chum Kiu is analysed carefully, it is found that it has reached the acme of perfection.

Chum Kiu is to utilize the body weight of a person as the source of energy and combining the moves of Siu Nim Tau to create a skill that can apply force in different directions. As a result, the opponent will find it difficult to tackle these kind of moves because his centre of gravity has been affected and will be easily toppled over. Hence, your chance to win in fighting is increased.

The theory of Chum Kiu can be grouped as follows:

1. The application of “two-way” force;
2. Using the centre of the body as the source of energy;
3. Using the mind to control the movement of the body;
4. Using the simultaneous attack and defence movements.                                                                   

               1. The Application Of “Two-Way Force”

The majority of the moves in Chum Kiu is to apply the force moving in two different directions to contact with the wrists of the opponent. Although it is called the “two-way force”, yet, if analysed in more detail, it is found that it consists of skill of applying the force pointing from more than two directions.

The turning stance of Chum Kiu is a two-dimensional turning, i.e. turning on a surface. When the turning stance is combined with use of Tau Sau, Bong Sau and Fook Sau of Siu Nim Tau at the same time, every move of Chum Kiu will comprise the effect of having a force pointing from two different directions. Thus, the opponent will find it difficult in dealing with these kind of moves.

               2. Using the centre of the body as the source of energy

In practising Chum Kiu, one must use the centre of the body as the source of energy. The purpose is to maintain the body weight as an unity and then every move will contain the weight of the whole body. When the opponent is in contact with any part of your body, he will then have to suffer an attack from your whole body weight.

3. Using the mind to control the movement of the body

The purpose of using the mind to control the movement of the body is to generate the whole body weight without using any unnecessary muscular force. Thus, every move you are using will contain the weight of the whole body.

4. Using the simultaneous attack and defence movements

Practising Chum Kiu has entered into the stage of body contact with the opponent. This means that Chum Kiu is the form which will comprise of the combating skill. Hence, every simple move of Chum Kiu contains a common structure which is fit for attack or defence. Apart from having the speciality of Wing Chun (i.e. not to waste energy), every move will contain the scientific structure for combat, allowing the fighting skill to show up when facing the opponent.

                     Copyright ©2001 Wing Chun Kuen by Chu Shong Tin, ALL RIGHTS RESERVED

Thoughts on footwork & Chi Sau

Many people  today  practice Wing Chun, Chi Sau (sticking hands). However, they only stand in the same position and they do not move their feet. In this way it is very easy to lose a lot of energy, because when your opponent is very strong and they are attacking you, you cannot move to avoid their power.

The most common way we do to avoid an opponent’s power is to change your technique such as changing from the Bong Sau to Tan Sau or the other way round. Of course, there are other techniques you can use by yourselves but because you do not move your stance, you have to use more strength. Therefore we see many people, who do Chi Sau just like they are fighting. With this kind of skill, only the stronger and bigger guy will win  easily. Even if you beat up your opponent, you can also suffer injury, so this is not the best way for Chi Sau.

In many Wing Chun training sessions we will train Juen Ma (turning stance). This is about turning your feet and your body 45° by rotating on your heel. If someone tries to attack you, you should turn your body to 45° to avoid their attack. Technically it is very correct, but if somebody who is really strong attacks, turning 45° is not enough so that is why Juen Ma is very good. However, if the energy is too strong, then some more footwork is required.

Personally, I believe that in Wing Chun skills, footwork is actually the most important. Many people studying Wing Chun spend so much time on hand techniques such as Lap Sau (pulling hand), Pak Sau (slapping hand), Gau Cha Sau (crossing hand) etc, that they forget working on their footwork. Footwork is the way to bring the right position in the right place. Without good footwork, even good hand skills would not work.

If you hit someone who does not move, then it is easy. However, if he moves, you will miss him. It is the same if someone wants to hit you, you can move to avoid the attack. Therefore footwork is very important for attack and defense. I have
seen so many people keep the same position in Chi Sau and only leaning back to avoid the opponent’s attack.

Actually, this is wrong because Wing Chun does not allow the body lean forward and backward. The body should be straight all the time. That will make all the energy in your body balanced. Also leaning backwards or forwards makes our backs stiff and also you will not clearly see your opponent attacking you. Even if you can block it, the opponent’s next movement will not be clear to you. That is why stepping back is the best way to defend against a strong opponent’s attack. Your back will be straight and your vision and energy will be clear, and you will be able to read you’re your opponent’s energy correctly.

For training the good footwork, we must keep our stepping in accordance with Wing Chun training and be ready anytime for Chi Sau and defend yourself. Always be aware of the distance of the width of your feet and make sure that they are the same as your shoulders width. Wing Chun stance is always shoulder width. That is the fastest and most effective footwork. When we are walking we can walk as Zen Ma (Forward Stance), with every step we walk being in the Wing Chun Stance. No matter whether we walk fast or slow when

we stop, the stance should always be shoulder width. When we walk as Teu Ma (Backward Stance), the footwork is still in the Wing Chun Stance, which is shoulder width. It is the same even when we walk to the side or in a circle. Good footwork is not difficult, we only need more practice which will bring us perfection. Just always be aware of the distance of your footwork, make it a habit, then it all happens without thinking.

Actually Wing Chun skills are about using the whole body. You cannot just move one part of the body without connecting it with the rest. This means your hands, legs, body and head should be all connected and cannot be separated. For example, when we punch, we should punch with the footwork in unison with the punch. If we just punch from the arm, without using the footwork and whole body, then this will damage the body every time you punch.

You should consider how your feet move, how your waist turns, and how the body connects and how the other hand balances what the other hand does. We should not just think about the one punch only. A student sometimes will ask me why we only move the hands and not the feet in the first form, Siu Lim Tao. This is because, just like in languages, students learn the vocabulary first not the grammar and sentences.

It is in the second form, Chum Kil, and the third form, Bil Jee, and the wooden dummy technique, that the whole body moves. So therefore, in Wing Chun technique, footwork is very important because it gives the correct angle for our hands and also allows clear vision and sensitivity. If you spend more time in footwork training than on the hand technique training, then this will give you a high level skill of Wing Chun.

Wing Chun philosophy is similar to our lives. We always think about yourself and how much benefit we will have if we do this or that and forget to think about other people. Actually, the other people are just like the rest of our bodies. If you can have a good relationship with the people around you, then you will be balanced with everybody and you will benefit from them and at the same time they will benefit from you as well. At the end, you will have a better life so always be friendly with the people around you instead of making enemies. This is the principle of Wing Chun.

Shaolin Wing Chun Kung Fu is a Dim Mak system.

Shaolin Wing Chun Kung Fu is a Dim Mak system. The system is renowned for not employing brute strength or force against force, therefore, a practitioner will prefer to attack the soft targets (pressure points), rather than using brute force to stop an opponent. When the Manchus invaded China in 1644, the monks developed wing chun to kill their enemy. Initially, Bil Gee Dim Mak, Butterfly swords and dart knives were employed to dispose of their enemy, quickly and efficiently.

Centre line theory, one of our major principles, is not only used to gain the straight line attack and the shortest distance of travel, but also employed to protect our major striking targets along the centre line. Also, attacking along the centre line will automatically direct your strikes to your opponent's pressure points.

As one becomes learned with dim mak knowledge, he or she must also be academic in revival techniques and antidotes.

If a person has studied acupuncture or acupressure, he or she will have comprehensive knowledge on pressure point locations.

Understanding the 5 phases of nature, cosmology, (your relationship with the 5 seasons and the characteristics of each season), and Internal Organ relationship with the 24 hour cycle, will be of major significance in understanding Dim Mak striking.

One of the most important fundamental principles of wing chun is to guard the center-line. The center line protection of shaolin wing chun kung fu is utmost imperative. From the illustration, one can observe the pressure points lying along the center-line. There are various susceptible pressure points in the arms, legs and back of torso and head, that are also employed in dim mak self protection.

The prospective practitioners of this ancient secret must also bear in mind that the mastery of these techniques is only possible through long hours of hard training with patience, study and perseverance.

BE WARNED!

A person must be responsible for his action. Passing this knowledge on, to undeserving people, will create immense social and physical trauma.

Wing Chun’s Kicking Secrets

As with most of the fighting arts Wing Chun employs kicking techniques as an important part of it’s weapons arsenal. However, there are some important and significant differences between the kicking methods of Wing Chun and the many other arts. These differences set Wing Chun’s kicking skills apart, making them a distinct tool within the system. We will list and discuss five key aspects of Wing Chun’s kicking methodology in order to generate a deeper understanding into this unique fighting system.

1. Kicking Seeds

It has been said by some that Wing Chun only has one punch and three kicks. Although this is not completely accurate it is easy to understand how some people may have developed such an opinion. Wing Chun does rely heavily upon the Sun punch, but it also possesses other punching techniques like the lifting punch and the hooking punch found in the second and third boxing forms. The perception that Wing Chun only has three kicks is also inaccurate; it comes from a limited understanding of the three foundation or "seed" kicking techniques within the system. These three kicks are NOT the only kicks Wing Chun employees, but rather are the basis upon which all of the Wing Chun kicking motions are built. These three seed kicks are: front kick, side kick, and round kick. Each of these techniques are basic to any martial system that employs kicking. They are not unique by any means. However, Wing Chun uses the distinct body alignment and motions of these three kicks as building blocks from which to create an unlimited variety of potential kicking techniques. Let me illustrate.

The basic front kick requires that you face your opponent, lift your kicking leg at the knee, and thrust the ball or sole of your foot straight out striking your target with a straight front kick. There is nothing special about that. Now let us look at the round kick. The round or hooking kick can be thrown from any body alignment with your opponent. You can be facing him, standing sideways to him, or even have your back to him and you can still deliver an effective round kick. Depending on what part of the foot you are using to strike with a round kick may look like a different technique each time. A spinning heal kick is a round kick, it comes in a curved line of attack rather than a straight line like a front kick. A crescent kick is also a round kick, in fact all kicks are either straight or round in their line of attack. In Wing Chun all kicks that arc or curve into the target are considered round kicks. Now if you combine the round kick principle of arcing in with the simple front kick we get some interesting, and somewhat unique kicking techniques. One example of this is the Wing Chun "facade" kick often seen towards the end of the Chum Kil  boxing form. The facade kick is a front kick that arcs to the outside as the body turns to face the target. You strike with the sole of the foot with a straight thrusting motion, but the line of attack is definitely an arc. So by combining the three simple kicking seeds Wing Chun can create many possible kicking techniques.

2. Kicking Principles

In combining the three seeds Wing Chun takes the principles of alignment, motion, and striking area represented by the three seed kicks and recombines them to create any number of different kicking techniques. Remember Wing Chun is a principle based system, not a technique based system. Therefore, we have an endless variety of techniques we can use, so long as they conform to correct kicking principles. Those correct kicking principles are represented within the three kicking seeds. These principles include lifting, thrusting, stomping, straight line and circular motions. The alignment principles of facing and standing sideways to your opponent, or turning towards or away from your opponent are also represented. The weapons or striking areas of the sole, heel, and top of the foot are clearly illustrated. But the seeds also include the side of the foot, the toes, the ball, back of the heel, inside of the foot, the shin, the knee etc. The striking area used depends upon you alignment with your target and the principles of motion used to get your foot onto that target. Once those have been determined it is simple logic that determines which striking area or weapon will be used to make contact with the target. Other general Wing Chun principles also apply to correct kicking. Principles of economy in motion or closest weapon to closest target will often be illustrated in the kicks used. Also principles of continuous attacking will show up as Wing Chun fires off multiple kicks instead of only one or two.

3. Soft, Internal Kicking Power

Principles of sticking, and using motion are also heavily relied upon to help the Wing Chun practitioner determine which seed principles will best respond to the current situation. To be able to utilize the characteristic Wing Chun sticking skills one will need to learn to kick with a very relaxed leg. The principle of relaxation is inseparable from the skills of flowing and feeling. Here Wing Chun is different from many kicking systems in that most systems use strength and tension in the leg to generate great power. Wing Chun however, must remain soft and relaxed while kicking so as to feel and flow effectively. Therefore the Wing Chun kick releases soft internal power through the leg rather than kicking with physical strength. The power of Wing Chun kicks come from the correct releasing of chi through the limb, just as the power of the hand strikes use the release of energy through the hand to damage the opponent internally. It would be incongruent for Wing Chun to emphasize soft-relaxed motions with the hands and arm strikes, but then employ hard, tense motions with the legs and feet! That does not make sense, and does not work. As an internal system the whole of Wing Chun is soft and filled with energy. That includes the kicks. When practiced correctly the soft, fast kicking motions of Wing Chun are extremely powerful. The student must learn how to relax and release energy through the legs, just as he did with his arms. However, with the legs there is a great deal more mass to relax, so to some it is easier to just kick the tense, hard way. This is a grave mistake as it will not only result in damage to the kickers legs in time, but effectively isolates him from the important rooting energy skills that give stability and power to the rest of his art. A tense Wing Chun kicker essential stops doing Wing Chun when he kicks. He is employing two completely different systems of attacking and generating power. In doing so he will use neither of them fully or effectively.

4. Kicking Targets

The most vulnerable target on a high kicker is his supporting leg. It is wide open, he can’t move it while his other leg is waving around in the air, and his knee is the most commonly, and easily injured joint in his body. A short fast snapping kick to this target will finish the fight instantly! Wing Chun works to both attack and defend the lower gates with the legs. We stand on the rear leg leaving the front leg to float, freeing it to attack and defend the lower areas with the same ease as the hands have to attack and defend the higher gates. By skillful application of the sticking principles learned within the chi gerk practice the student can flow with and defeat the kicking techniques of his attacker. There are many effective targets to strike on the legs, and because many fighters put weight on the forward leg they are unable to move to defend these open targets. Wing Chun employees the one legged stance so that our forward leg is free to attack and defend with comparable speed to that of the hands. Some may feel that using the closest weapon to attack a target sounds fine with regards to being economical, but sacrifices the devastating power that kicks can generate. This criticism is valid for those using tension weight, and strength to generate power. But Wing Chun does not generate power in this way. Wing Chun’s short power has been well illustrated in the one-inch punch. The same explosive short power can be generated with the Wing Chun kicks. We do not sacrifice power for speed and economy.

The defense of the lower gates also employs the principles in the three kicking seeds. The chamber positions for the front and side kicks make up the basis of the Wing Chun leg defense techniques. These blocking or parrying skills with the lead leg are learned in the chi gerk training. By keeping either the foot or knee on the centerline the Wing Chun kicker learns to control his attackers legs and can devastate them with repeated chain kicking techniques.

5. Kicking as Stepping

A final significant distinction between most kicking arts and the kicking methodology of Wing Chun is that Wing Chun uses the kick as a step. This is well illustrated in the Chum Ku boxing form and on the Wooden dummy. In Wing Chun you do not kick then retract your leg, rather you kick then step down and advance forward. The kick is part of the step. We seldom will stand in one place and throw kicks. Wing Chun prefers to press in on the opponent, and when kicking that means advancing with each kick. To do this the foot is put down on the ground where it strikes the target. It is not retracted and put back where it started from. In advanced kicking skills one can step after the kick without putting the leg down, thus enabling them to chain kick while still stepping forward. This skill requires strong presencing and use of energy in both the kicking and standing legs. Conclusion The kicking skills of Wing Chun are often understated and under utilized. Most students work so long and hard at developing the intricate feeling skills with the hands that when they get to kicking they gloss over this training. The truth is the kicking skills of Wing Chun are as equally complex and sophisticated as the hand skills. If students would devote equal time and effort to training the legs as they do to their hands Wing Chun would probably become better known for its devastating leg skills! But the truth is that the legs tire easily, they are heavy and difficult to work with, and we have not learned to feel as well with them as we do with our arms. Because of these reasons most students do not give the legs the training time needed to truly develop the deep kicking skills of Wing Chun.

wing chun family tree - sifu Theo Katsigiannis

Sil Lim Tao the first form or Little Idea of Wing Chun.

                                           Sil Lim Tao  or Little Idea                                                                                                                                                                                                                                        ... Sil Lim Tao, sometimes referred to as Siu Nim Tao, is the first of the hand forms of Wing Chun Kung Fu. It teaches the student the basics of the martial art. The form has been adapted and changed over the last few hundred years, but it is thought that the form was inspired by movements from both crane style kung fu and snake style kung fu. The form has evolved differently as styles of Wing Chun diverged. Sil Lim Tao is the foundation of Wing Chun Kung Fu. That is why almost every Wing Chun Sifu, when teaching his students, always wants the students to practice Sil Lim Tao first. The form is divided into three sections, with a total of one hundred and eight movements. Each small section has its own aim in practice, and various meanings in application.   

                                      Grandmaster William Cheung.

                                                                                                                  ....................              .    There are a number of key benefits to training Sil Lim Tao. The most obvious benefits are as follows: 

• Strengthening the legs through the stance 
• Teaching the student the key techinques of wing chun.
• Teaching the student how t turn energy on and off. A key part of building good ging.
• Helping the student understand key principles  like economy of motion and the centreline. 

                                                                                                                                                                       The Forms' Structure                                                            

The first section is for training the basic power by tensing and relaxing the arm. The strength is built up by repeating the core hand positions of Tan Sau, Fook Sau, and Wu Sau. If you wish to perform well in Wing Chun, you must use the first sections of Sil Lim Tao to train the basic power and strength. There is no short cut, once the movements of the form have been learned, they must be practiced seriously to train the power and strength. Every Wing Chun practitioner knows when practicing the first part of Sil Lim Tao, that it has to be slow. To train for the strength one has to be serious, and to be serious one must do it slowly.                                                                                                                                                                                                                   ......  The second section is the training how to use use the power / strength that has been built up in the first section.  In Wing Chun Kung Fu, the strength and power are used half soft, half hard. This is easily demonstrated when throwing a punch, your arm travels at great speed but the muscles are relaxed, this is the soft part. But just before you make contact with your opponent, your muscles in your arm tense up for a split second, this is the hard part. This later develops into full delivery of the Kinetic Energy of your arm and body into the target, without compromising balance. In Chinese martial arts, good use of this on off energy is often referred to as Ging.                                                                                                                                                                                                      ...... The third section is for training the correct position of the basic hand and arm movements, and hopefully building up muscle memory. Movements include Pak Sau, Tan Sau, Gaun Sau, Huen Sau and Bong Sau. The practitioner must concentrate on executing each movement's correctly.                                                                                                                                                                                                                                                                                                                  ,,,     Sil Lim Tao Video              

                                                                                                                                                                 

  Grand Master  William Cheung, student of the Great IP Man and teacher of Bruce Lee demonstrating the first form of Traditional Wing Chun..   

                                             

wing chun form Jin Kuen (Arrow Fist) ----Dr,Leung Chun lineage.

sifu Theo Katsigiannis  demonstrating  Wing Chun form  Jin Kuen  -- Dr .Leung  Chun lineage. ( stretching  Arrow Fist )

GGM Leung Bik

Great-Great Grandmaster Leung Bik . He was the teacher of Great-Grandmaster Yip Man.

    According to William Cheung (Cheung Cheuk Hing), the person responsible for the divergence between traditional and modified Wing Chun was Leung Jan who lived two generations before Yip Man. Leung Jan taught Wing Chun to his two sons and also his neighbour Chan Wah Shun. Leung feared that the bigger and stronger Chan would try to claim the Wing Chun lineage after Leung's death. Thus, Leung taught him a modified, less effective version while reserving the pure, traditional form for his sons. Chan surprisingly still defeated the two sons and assumed Grand-Mastership of the Wing Chun lineage.

Yip Man eventually became Chan's student. Yip Man learned from Chan for four years before moving to Hong Kong to study at college. There he encountered a kung fu practitioner who revealed his identity as Leung Jan's surviving son, Leung Bik. Leung Bik claimed there had been a divergence in Wing Chun teachings and he then taught Yip Man what he called the "traditional" Wing Chun system.

Yip Man would eventually open his own Wing Chun school. As Cheung insists, Yip Man decided to pass on the system to one student only. Yip Man taught the claimed "modified" version to his students (Which includes Bruce Lee And Ip Man's sons Ip Chun and Ip Ching) and chose to teach the "traditional" version to Cheung.

30 years with Grandmaster William Cheung - sifu Theo

Sifu Theo Katsigiannis Athens -GREECE.2014

wing chun greece athens - sifu Theo katsigiannis - sifu Κατσιγιαννης

sifu Theo katsigiannis                                                                              

sifu Κατσιγιαννης 

        sifu Theo katsigiannis         

sifu Κατσιγιαννης 

sifu Κατσιγιαννης 

sifu Κατσιγιαννης 

sifu Κατσιγιαννης  

 

Jin Kuen  form 

jin kuen form

Marathon 50km.

                                                        GM William Cheung - Sifu Theo Katsigiannis